(hand, j.williams, 2005)
dedicated to all things inanimate (and the animate few reading from the right libretto).


Who can say what it is that causes that jolt of electricity and recognition when you connect with a person, place or idea on such a cellular, cosmic level. Whatever it is, Duane Michals' work does it for me.



The accompanying text: "Sidney paints his fingernails shocking pink a brilliantly audacious gesture that exposes the dis-corraborative gender bias of Revlon's vacuity, while trenchantly confirming lipstick as a phallic ploy of alpha males vis-a-vis Derrida's strategies of dis-corraboration."
Today's favourite things posting goes to Coconut Records and this catchy little ditty:


With just a week to go til we make the jump across the pond, I've just today got cause to begin stressing over the contents of my suitcase. First, I received a dispatch from a friend in who's currently in Paris (after presenting to the UN in Geneva no less) detailing the stylishness of that city's denizens. Then I stumbled upon this site devoted to Copenhagen street style. And this one for Berlin. And this one for Amsterdam.
received today from a friend visiting Scotland who advises warm weather gear and wellies, and the dilemma really takes hold.
I also made a happy discovery - these uber groovy Mad Men illustrations by nobodysweetheart. With the season finale looming large this coming Sunday, I hope she keeps these little dittys coming to see us through the long wait til season 3. More on my love of all things Mad Men in another post.


Today's book of the month club pick was inspired by a recent forced detour up to Vinyl Village. Now I know that aesthetics and design preferences are subjective things. And that because we live in the north building supplies are hard to come by and our cold climes set the terms in many regards yada yada yada but surely there's a better way.
Ok, ok, granted some of the designs like the famous #22 are pure fantasy (for an excellent article about the making of this iconic Julius Shulman photo check this out) and there's a reason why california modern hasn't caught on in say, Wisconsin or Saskatchewan or the Yukon for that matter, but they do point to the possibility of a different way.
For our own impending addition,
Warning: friends and family who are sick of hearing me talk about the swell season - read no further. It's no secret I have a bit of a thing for these two. We got tickets to see Martha Wainwright at the Regency Center in San Francisco last year and were a little annoyed to see she was opening for this band called the Swell Season. I mean Martha Wainwright as an opening act? (apparently Martha does have less of a following in SF than here in Canada - I still remember her kicking at her amp and shouting into the mike um excuuuuse me? is my playing interfering with your f@$%ing talking?)
I've been working away in my studio on a new body of work that's based in equal measure on riverside grocery store and the marvellous tom robbins. how you may ask, do the two relate? Well friends, if you have to ask, then you haven't yet got your hands on the right libretto. You'll just have to wait until January at the yukon arts centre to find out.
Can't wait to see Ron Sexsmith at the Yukon Arts Centre tonight. In honour of his visit, a little pre-show libation seems in order.I. Thou shalt not put one color before another.

III. Do not consider thyself an artist: For the Lord thy God hath made men according to their ilk. That be makers of art, according to their ilk, shall be served by those that are decorators, according to their ilk. The one shall paint, and the other shall frame that which was painted, even for its sake. And if a decorator call himself artist, he shall surely die; but if any artist goeth by the other’s name, I say let him watch out.
IV. That the Lord thy God made the Sun to be the greater and the Moon the lesser light, and hath caused night to follow day, of that shall ye be mindful in lighting thy rooms. Let night bring forth pooled lamplight and pits of darkness where day doth gladden in every part. Verily, he who kindles the hearth to throw fleeting shadow is blessed in my sight, whereas whoever installeth recessèd lighting has committed an abomination.
V. Thy room shall be like unto a box. Trifle not with straight walls and right angles, for the Lord thy God hath made them so. A fool who thwarts my will with juggling curves shall draw the curtain of his bed wracked with boredom and waken with a yawn.
VI. Honor thy edges. Consider the marble floor, yea, even linoleum tiles and the least of them that are trodden: unto each is given a figure, and these shall find their thoughtful end is given a figure, and these shall find their thoughtful end and margin. Whoever neglects his wallpaper at its edges has committed an abomination.
VII. He who clothes not his decorating in humor shall surely die, saith the Lord.
VIII. He who forsaketh comfort, who loveth the undressed stool and not the cushion, shall be parboiled, flayed, and dropped in a briar patch, and shall surely die.
IX. Covet not that which thou needest not; let each thing thou hast account itself or be no more present. To mirror thy walls, making increase of every thing, is an abomination, but whoever mirrors his ceiling commits an abomination above the rest: Nor should such a one trust in his reflected image, for it will not yield refuge, on the day of reckoning.
X. This above all else: delight in the look of thy facing as thou lovest thine own self, looking back from polished bronze. For if the finger of thine eye cannot tell calfskin from onyx, or silk from the bristles of a she ass, verily thou art no decorator.
For some time now, I've been in search of the perfect all-purpose tumbler to replace our odds and sods assortment of glassware. I particularly dislike wine glasses, their clumsy stems & clunky bases - don't get me started on the ridiculously huge ones (yes opimium society, I'm aware they serve a purpose but to me they're bloated and unseemly). I've been not so secretly coveting my friend Jocylyn's single, perfect vintage tumbler (a sally anne find) but was unable to find my own.
Duralex glasses just sitting there in their original packaging. Designed in France in the 1930's duralex glass used a revolutionary "toughening" process that makes their tumblers some 5 times stronger than regular glasses and able to withstand hot temperatures to boot. The picardie - aka the classic french bistro glass - is the most beloved duralex design among people who care about such things. (It's listed as #375 in the Phaidon 999 classic design objects series.) I picked up a few dozen basic tumblers and stackables (not picardies, but similar to picture) for $8 total. Who says good design needs to cost a fortune?






